Rapa nui film

Rapa Nui Film Statistiken

Rapa Nui ist ein Abenteuerfilm aus dem Jahr Er wurde von Kevin Costner produziert. Rapa Nui ist ein Abenteuerfilm aus dem Jahr Er wurde von Kevin Costner produziert. Inhaltsverzeichnis. 1 Handlung; 2 Kritiken; 3 Hintergrund. The film is well presented and gives a feel for what it must have been like in the early days of Easter Island (in the days before it was named Easter Island). The movie describes the decline of the Rapa Nui (Easter Island) civilization and for most of it, it sticks to the historic facts. Unfortunately it becomes unrealistic and a. Rapa Nui - Rebellion im Paradies ein Film von Kevin Reynolds mit Esai Morales, Jason Scott Lee. Inhaltsangabe: Lange bevor holländische Seefahrer im

rapa nui film

Für ihre monumentalen Steinstatuen ist die chilenische Insel im Südpazifik berühmt: die Osterinsel, von den Einheimischen Rapa Nui genannt. Jährlich kommen. Leider ist Rapa Nui - Rebellion im Paradies derzeit bei keinem der auf Moviepilot aufgelisteten Anbietern zu sehen. Merke dir den Film jetzt vor und wir. The movie describes the decline of the Rapa Nui (Easter Island) civilization and for most of it, it sticks to the historic facts. Unfortunately it becomes unrealistic and a.

Classical mythologic hero's journey archetype done to perfection. Sadly, as of the writing of the review, for some fool reason one of 's most beautiful films "Rapa Nui" is not readily availible, not attractively so anyway.

Apparently Warner Bros Archive has released what may be a slightly improved presentation.

Yet nevertheless, it is blatantly magnificient in every incarnation. So someone in charge please chose to do the right thing and preserve this film properly.

I feel like it's objectively a wonderful film. To me, it's absolutely a classic. Varlaam 13 June Primitive societies often despoil their natural environments.

They have no deeper respect for nature than more advanced civilizations. This film shows one classic historical example, the deforestation of Easter Island.

Anthropology can cite many others. Pakeha or Polynesian, it's all the same. Communities with more rudimentary technology usually lack the means, not the motivation, to irreparably damage an ecology.

There seems to be some controversy over the accents in this film. It happens that the ones I hear are predominantly Kiwi -- Maoris make up a large part of the cast -- plus American, and of course Canadian, from our putative star who unfortunately spends too much of her time sealed up in a cave.

And I can tell the story was compelling and the cinematography was great. Historically accurate? I don't think so but that is beyond the point since we do know anything about for sure about Easter Island.

My opinion is that anyway the screenplay gives a plausible explanation of why the island became as such.

It's bit like Apocalypto before apocalypto with less violence. Tweetienator 29 June Rapa Nui presents us a real strange world indeed - based on the legends of Easter Island, it is a story or legend of two native tribes and their competition for power on that remote island, some obligatory romance and drama round off the story of the tribes.

I really liked the movie and will re-watch it sometime. Actually, I was mostly critical about Rapa Nui - if you read my review carefully, I was referring to the logistics of making and transporting the statues.

I neither believed nor disbelieved the stuff about long and short ears. In fact, I read through Thor Heyerdahl's books on the subject, and felt that the filmmakers made some use of his material.

What I meant was that the film showed that it was raw human muscle and ingenuity that got the statues built, as opposed to extra-terrestrials or Atlanteans which some fringe theorists believe.

SnoopyStyle 4 May On Easter Island, the tribes are in a ritualized competition. Every year, each tribe sends a warrior to the Birdman competition to see who will rule the island.

Noro Jason Scott Lee comes from the ruling tribe 'long ears'. His clueless grandfather chief and his ruthless priest demand larger Moai.

He is in love with Ramana Sandrine Holt from the tribe 'short ears'. His long time friend Make Esai Morales is also in love with Ramana.

The demand for Moais has eaten up the resources of the island as scarcities and ecological damage rule. The problem for this movie is the foreign nature of everything.

Some of it is laughable even if it's true. Maybe it's an impossible task given the strange craziness. The story is a mix of Romeo and Juliet and an environmental documentary.

There's none like it. KFL 6 March There seems to be some doubt among posters here as to the broader outlines of this story--the religious motivation for building the statues, and the environmental disaster this wrought.

After noting that by the time of the first visits of Europeans to Easter Island in the 18th century the island had been stripped of all its trees, and that some of this lumber would have been used for building, cooking and the like, Ponting continues: "The most demanding requirement for lumber of all was the need to move the large number of enormously heavy statues to ceremonial sites around the island.

The only way this could have been done was by large numbers of people guiding and sliding them along a form of flexible tracking made up of tree trunks spread on the ground between the quarry and the site.

Prodigious quantities of timber would have been required and in increasing amounts as the competition between the clans to erect statues grew.

As a result by the island was almost completely deforested This portrait of a dying society, if done well, would have alone been enough to make Rapa Nui a highly interesting movie.

But unintended comedic elements prevent us from taking it very seriously. On being presented with a huge statue, the result of months of work, the chief simply says "not big enough!

Build another one! Lines like this, and "don't bother me, I've got chicken entrails to read", and other idiotic plot twists that would constitute spoilers, dash cold water on this film as the tragic if formulaic reenactment of the final days of a doomed civilization.

As others here have said, Easter Island itself is breathtaking; the beauty of the setting is one of the better things about Rapa Nui.

And the story had great potential. But this movie is impossible to take seriously, and that is a shame. SanDiego 15 January It must be sad to think the story or facts have anything to do with the true pleasure of watching this film.

This film shines for one magic reason: Sandrine Holt, topless. I repeat, Sandrine Holt, topless.

Sandrine Holt Pocahontas, Once A Thief is the most beautiful female on the planet and to see her cavorting topless throughout the first half of this picture including a nice closeup of nipples as she lies on her back on the top of a hill is pure heaven.

Unfortunately Sandra spends the second half of the film unseen in a cave was the director mad! For that reason I have to say I enjoyed Pocahontas more given that she's in that film more and just as gorgeous!

My advise is to get Rapa-Nui and as soon as they stick her in the cave, rewind, and watch the first half again.

Bouteloua 30 January I have never seen so much nudity or near-nudity in a film where it isn't sexualized.

It's quite refreshing. We just get to enjoy seeing the beautiful and also ordinary bodies of the characters going about their business, like you might see in an old National Geographic magazine.

Okay, there is one love scene, but it's tame by Hollywood standards and it happens early in the film. The violence is mild compared to a lot of PG movies.

This could be a good movie for young people to watch with an adult, if only to see people treating each other normally when their skin is showing.

The plot is a bit comic-bookish, but it makes for an easy-to-follow story and good entertainment. You even get to learn a little bit of true stuff about Easter Island.

Kriston 7 March This movie is well worth the viewing if you're into period films with full frontal nudity, even if it means that Roxine Holt's breasts change their shape whenever there's a close-up.

The historical fiction used by this movie try to explain the statues on Easter Island but relies too heavily on the tired theme of the incompetent leader being manipulated by overly ambitious advisors.

Surely, if the people were as technologically advanced as the movie suggests, they may have transcended racism and their bizarre class structure.

And yet again we see Jason Scott Lee playing the naive, young aboriginal, a part for which he has been typecast in movies like "Map of the Human Heart.

Years before the arriving of the conquerors, the Easter Island lives before a civil war, ancient cults mixed with nihilistic behaviour crash into the island.

All mixed with a pseudo ecological message and some stupid jokes. Noro is the son of the chief of Easter Island, he wants to marry Ramana, but, before, he has to win the Egg Race, a race in which he will risk his life in order to chose who will be the chief during the next year.

Meanwhile, the slaves are permitted to take part in the race by first time, and the runner wants to marry also Ramana, this will cause the race to be absolutely decisive for the future of the island.

It also happens that the current chief lives moaris mystic meaning and in the process of building them, they are eradicating the trees that are on the island, and soon there will be anyone and the island will become a desert.

With all these plots mixed, it was possible that the movie was interesting, but it results to be very confusing and boring. None of the stories develops correctly and it provokes the movie to be terribly slow and predictable.

In addition the actors are not very good, and most of the time you can only see the darkness of the night, as they did not know about fire.

To sum up, a long boring film that you should avoid to watch to. The only interesting thing are the precious environment it is filmed.

The inhabitants of Rapa Nui forged one of the great cultures of antiquity. They settled a small, utterly remote island in the South Pacific and developed a unique, centuries-old way of life known worldwide for creating monumental stone statues to evoke and venerate their ancestors.

There is nothing like their astonishing achievement in the annals of civilization. RAPA NUI seizes on lurid myths—ecocide, internecine warfare, starvation, cannibalism, and genocide--to depict past life on the isolated isle as a dismal, dog-eat-dog existence of bottomless despair and cruelty.

Not so. To wit: -There is no archaeological evidence of cannibalism on Easter Island. On the contrary, Rapanui society must have been highly cooperative to carve, transport, and erect the colossal statues, as well as to cultivate crops given the island's harsh winds and challenging growing conditions.

Once cut, wood was put to many uses. Rolling the gigantic statues on logs was not the sole or main purpose of clear-cutting, which took place over centuries.

Statue-carving and the birdman race were not contemporaneous. Probably years passed between the end of statue production and deposing statues in clan rivalries.

Okay, viewers may not care about historical accuracy but just want some rousing entertainment. It's supposedly a love story, but the heroine is out of sight, shut up in a cave for most of the movie.

She looks hideously disheveled when she finally emerges. The Short Ears' seemingly voluntary enslavement makes no sense.

Why do they put up with brutality and suffering to make statues for the priestly class? How accommodating they are! The Long Ears' power rests on the religious imperative to appease the ancestral spirits.

But such moral suasion hardly offers a compelling motive for the Short Ears' elective servitude. Rapa Nui's troubles are often regarded as a microcosm for the dangers of reckless exploitation of the environment.

But the film's depiction of class struggle within an enclosed society with finite resources so lacks subtlety that it is hard to take seriously as a cautionary tale for today's world.

This picture contains one of the most preposterous deus ex machinas in film history. Everyone on the island wants to escape, to sail over the horizon to find a better, happier land.

Ah, but there is no wood left to build boats. The answer for the delusional high priest and his gullible followers?

Board an iceberg that suddenly appears. An iceberg. At latitude 27 degrees south--nearly tropical waters—they might just as well have found mermaids to carry them away.

As for the cast, the acting is on the see-and-say level. Everyone runs around in skimpy costumes, which at least makes for eye candy.

Only Gordon Hatfield, as the heroine's father, creates a character with some depth who appears to possess emotions beyond rage, fear, and longing.

His performance is the best part of the film, along with the birdman race, which seems quite authentic except historically, the race was over when the first sooty tern egg was found on the offshore islet.

The finder did have to bring it back up the cliff intact, but doing so was not part of the race. Despite being filmed entirely on location, there's a sense of artificiality about the statues.

The bogus meter starts running early withthe opening credits as the camera tracks up the cliffs of the Ranu Kau volcano to three statues nonexistent in real life standing high on the narrow crater rim.

That's the last place the islanders would ever have dragged them. Statues stood on low ground, facing inland on wide platforms.

These Hollywood replicas teeter on lofty heights gazing out to sea. Makes for a dramatic shot but absurd archaeology. Statues the Short Ears carve in the film look fake, big props lacking the contours and color of the originals.

When the biggest one is vengefully toppled, the film cuts away the instant before it crashes. Styrofoam just doesn't shatter like rock when it hits the ground.

The sudden influx of film money into a hardscrabble sheep ranching existence brought about a startling transformation in island life, shifting the entire basis of the economy to tourism with remarkable swiftness.

In a rather eerie redux of past ecological disasters, the island's resources now strain to accommodate 90, visitors per year.

The standard of living in what was formerly a very sleepy place has improved exponentially. RAPA NUI, this violent, almost sadistic movie that debases the island has, ironically, presumably made it a more livable locale.

Producer Kevin Costner and Warner Brothers join smallpox-carrying European explorers, Peruvian slave traders, Chilean colonialists, rapacious sheep ranchers, missionaries, and archaeologists to create the latest turning point in this fascinating island's tumultuous history.

You have to look at this film differently; of course you can not take what is being showed to us as the true history of the easter island, but you also can't look at it as just some failed flick.

No, this movie is taking as little as we know and fills the rest with partly far fetched, partly very realistic developments of events. We know, there is no more forest there, we know they've built these statues, we know that they couldn't survive.

It would be different if any of them would have written a diary of the events taking place, but that hasn't happened.

Whether long or short ears, whether upper or lower class: To build the statues they most likely used all the little forest they had left The "egg"-race is also very believable.

Less likely is the story about the iceberg With what they have filled in the blanks has already been discussed: Competition between two rival tribes, political problems that eventually not only end up in the deforestation and the ecological disaster related to it, but also degrade of a civilization leading them backwards even as far as cannibalism.

History has shown what can cause uproars: from class-systems, lack of food, but also fight over a woman. Here all three aspects have been mingled up, blurring what we do not know anyways.

And as far as nudity goes: guess what - we all born that way - believe it or not! As far as language goes: I had preferred if they tried to talk in some sort of made up language and then subtitled.

This movie is a gem in its own right, but you will have to watch it - sceptically, yet with a mind open for fantasy - for yourself to see if you agree or not.

An error has occured. Please try again. Social Experiment. Share this page:. The resources of the island are being rapidly used up and depleted with the last remaining tree being cut down , due to the extensive Moai construction and overpopulation.

Noro is the only person worried about the resource depletion, but his concerns are dismissed by the increasingly senile Ariki-mau.

Make reacts badly and Noro realizes that Make loves her, too. Make declares that they are no longer friends and runs off. Separately, Noro and Make visit Ramana at her cave, bringing her food and talking to her through the barrier at the mouth of the cave.

They both declare their love to her. She always responds, but she sounds despondent. After a supply shortage results in the death of one of the Short Ears Heki, the former master carver , they demand half of the wood, food and other materials and that they be allowed to compete in the Birdman Competition.

The King's advisor initially refuses and orders their death. However, the King gives in to their demands after realizing that if the Short Ears die no one will build the moai.

The King, however, only allows them to compete after the moai has been completed. He makes the condition that if the Short Ear competitor loses he will be sacrificed.

Despite these conditions Make accepts the position of the Birdman Competitor on the condition he be allowed to marry Ramana if he wins.

The King agrees and Make spends all his time working and training, leaving no time for sleep or other recreational activities. Meanwhile, work on the great Moai has become so important that the Short Ears sacrifice their food to complete it.

Finally it is the Birdman Competition. Nine competitors must swim to a close by islet surrounded by pounding surf, climb the cliffs to get an egg from the nest of a sooty tern and bring it back.

The first to return wins for his tribe. Noro barely wins and Ariki-mau gets to be the island's ruler for another year.

Ramana is brought from the cave, pale from her long underground stay and obviously pregnant. Before anything is decided about the fate of Ramana or Make, an iceberg is spotted off the coast.

Ariki-mau believes that the iceberg is the great white canoe sent to take him to the gods and goes out to it with some of his followers.

After the iceberg has carried Ariki-mau away, the advisor attempts to seize control of the island, but Make kills him and the Short Ears stage a rebellion, slaughtering and even eating the remains of the Long Ears.

Noro alone survives, as Make allows him to live, and Noro, Ramana and their baby escape the island in a canoe Ramana's father built.

The film can be considered a condensed history of the collapse of the Easter Island civilization. The struggle between the Long Ears and Short Ears is derived from the legend of the hanau epe long ears , who are supposed to have been almost all killed by the hanau momoko short ears , leaving a sole survivor, as in the film.

Interpretations of this story have been made, ranging from a class struggle, similar to that depicted in the film, to a clash between migrant people, with incomers fighting natives.

There is no single accepted interpretation, and many scholars consider the story to be either pure myth, or such a garbled version of real events as to be ultimately indecipherable.

The deforestation is a fact of the island's history, which may have caused widespread famine due to ecological collapse and a catastrophic drop in population, accompanied by wars between clans for control of dwindling resources.

The plot mixes elements of two periods: the era of the moai and the later Birdman Cult. The name Rapa Nui , commonly used, may not have been the original native name; that may have been Te Pito te Henua "the Navel of the World" , a phrase used in the film, though there are other possibilities.

From Wikipedia, the free encyclopedia. Theatrical release poster. Regency Enterprises Tig Productions. Sixth expanded edition.

Santiago de Chile: Editorial Universitaria.

Leider ist Rapa Nui - Rebellion im Paradies derzeit bei keinem der auf Moviepilot aufgelisteten Anbietern zu sehen. Merke dir den Film jetzt vor und wir. Rapa Nui – Rebellion im Paradies - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | tamiller.se Rapa Nui: Abenteuerfilm von Kevin Costner/Jim Wilson mit Esai Morales/​George Henare/Eru Potaka-Dewes. Auf DVD und Blu-Ray. "Rapa Nui" oder "Der Nabel der Welt" nennt die einheimische Bevölkerung der Osterinseln ihr pazifisches Inselparadies. Doch im Paradies kriselt es: Nicht nur. Rapa Nui – Rebellion im Paradies: – Rebellion im tamiller.seuereposüber die Ureinwohner der Osterinsel. Anmelden via Facebook. Das Rheingau-Konzert Musik - Uhr. Listen mit Rapa Nui - Rebellion bones staffel 13 Paradies. Der Stoff aus dem https://tamiller.se/serien-stream-4-blocks/uci-kaiserslautern.php Helden sind. Tim Rose Price Kevin Reynolds. Peter Boyle. Chiemgauer Volkstheater Wortspiel - Uhr. New Netherland Institute. Filmography Awards and nominations. Official Sites. Tepano, a man from Rapa Nui with tattoos on his face. I found this source be an excellent film all the characters main and supporting are very intriguing the setting is breathtakingsee more the actors all check this out their roles superbly and with passion. Bouteloua 30 January rapa nui film

Rapa Nui Film Video

#RapaNui (#EasterIsland) traditional dance at #FestPac2016 #Guam

Rapa Nui Film Darsteller und Crew

Somit wird dieses Duell zum ultimativen Kampf zwischen zwei Männern: sie kämpfen um Ramana und Make um sein eigenes Leben. Am Ende bleiben nur Noro, Make und ein angst und schrecken las vegas Konkurrent übrig. Peter Boyle. Die Story bleibt trotzdem etwas zu dünn. Unter Palmen am blauen Meer Spielfilm - Uhr. Sandrine Holt. Kommentar speichern.

Modern Rapanui music has had Latin American influences creating new genres such as the Rapa Nui style of tango.

Matato'a , one of the most famous musical groups on the island, promotes traditional styles of dance and music. Like in other Polynesian islands, tattoos and body paintings had a fundamentally spiritual connotation.

In some cases the tattoos were considered a receptor for divine strength or mana. They were manifestations of the Rapa Nui culture.

Priests, warriors and chiefs had more tattoos than the rest of the population, as a symbol of their hierarchy.

Both men and women were tattooed to represent their social class. The tattooing process was performed with bone needles and combs called Uhi made out of bird or fish bones.

The most prominent proponent of this explanation is Jared Diamond who proposes a scenario for the "ecocide" on Easter Island in his book Collapse.

This idea that Rapa Nui society collapsed came out of the imbalance between general resources present on the island, mainly population, timber and food sources, and the energy- and resource-intensive feat of transporting and raising the moai.

Food resources may have been scarcer than in other areas of Polynesia because of factors like the cooler climate, lack of rainfall in comparison to other islands in the area, high winds and a lack of biodiversity, leading to common Polynesian crops not faring as well as they would in other areas of the Pacific.

A source of good timber is also currently noticeably absent from the Island, the tallest, extant plant life averaging around 7 feet.

Although Easter Island currently has only 48 different kinds of plants as evidenced by botanical surveys of the island, it once possessed many more, shown through pollen analysis conducted on sediment layers from swamps or ponds.

From these samples, 22 no longer present on the island were shown to have existed at some time there. These plants included a giant palm, the Rapa Nui Palm , that showed signs of being the largest palm species in the world, eclipsing the size of the Chilean Wine Palm if it were not extinct.

There are also signs of Easter Island's once possessing a far more diverse collection of fauna. The skeletal remains of 25 different species of nesting bird have been located on the island, but have since been reduced to This trend of extinction and extirpation is a common occurrence when humans populate a new area, because of tendencies to overhunt and overexploit resources.

Deforestation would have caused a decrease in crop yields due to soil erosion, loss of wood as a resource to construct fishing boats, among other things, and would have necessitated a halt to the construction of the moai erected around the island.

Diamond hypothesizes that resource scarcity may have led to brutal civil war, creating a drop in population. He further hypothesizes that there were about 7, individuals pre-war, a number which fell to the 2, whom missionaries met when they showed up in the 19th century and conducted the first census of the island.

Others attribute this decline to overpopulation [ citation needed ] or the introduction of Europeans to the island and the diseases that commonly came with them like smallpox.

Agriculture on Easter Island shows signs of intensification before European arrival, necessary because of its climate which had an excess of wind and a low amount of rainfall for the area.

Archaeological finds show a multitude of composting pits and irrigation systems. Large boulders were also stacked to serve as barriers against the wind.

In the fields, a system of agriculture called lithic mulch was employed. In this method, farmers would lay rocks out in patterns in their fields, forcing the plants to grow in certain areas.

This method is known to increase soil moisture while decreasing soil erosion from wind, effectively combating the climate conditions.

Crops grown on Easter Island included sweet potatoes, yams, taro , bananas and sugarcane.

Chickens were the sole domestic animal, though the "chicken coops" carved of stone which still dot the fields of the island were most likely tombs from which the chickens obtained calcium and phosphorus in the form of bone meal.

From Wikipedia, the free encyclopedia. Redirected from Rapanui People. For information on the island of Rapa Nui itself, see Easter Island.

Further information: History of Easter Island. Drawing of Easter Island man and woman, by William Hodges , Main article: Rapa Nui language.

Main article: Rapa Nui mythology. Main article: Moai. Main article: Music of Easter Island. Noro is the only person worried about the resource depletion, but his concerns are dismissed by the increasingly senile Ariki-mau.

Make reacts badly and Noro realizes that Make loves her, too. Make declares that they are no longer friends and runs off. Separately, Noro and Make visit Ramana at her cave, bringing her food and talking to her through the barrier at the mouth of the cave.

They both declare their love to her. She always responds, but she sounds despondent. After a supply shortage results in the death of one of the Short Ears Heki, the former master carver , they demand half of the wood, food and other materials and that they be allowed to compete in the Birdman Competition.

The King's advisor initially refuses and orders their death. However, the King gives in to their demands after realizing that if the Short Ears die no one will build the moai.

The King, however, only allows them to compete after the moai has been completed. He makes the condition that if the Short Ear competitor loses he will be sacrificed.

Despite these conditions Make accepts the position of the Birdman Competitor on the condition he be allowed to marry Ramana if he wins.

The King agrees and Make spends all his time working and training, leaving no time for sleep or other recreational activities.

Meanwhile, work on the great Moai has become so important that the Short Ears sacrifice their food to complete it. Finally it is the Birdman Competition.

Nine competitors must swim to a close by islet surrounded by pounding surf, climb the cliffs to get an egg from the nest of a sooty tern and bring it back.

The first to return wins for his tribe. Noro barely wins and Ariki-mau gets to be the island's ruler for another year. Ramana is brought from the cave, pale from her long underground stay and obviously pregnant.

Before anything is decided about the fate of Ramana or Make, an iceberg is spotted off the coast. Ariki-mau believes that the iceberg is the great white canoe sent to take him to the gods and goes out to it with some of his followers.

After the iceberg has carried Ariki-mau away, the advisor attempts to seize control of the island, but Make kills him and the Short Ears stage a rebellion, slaughtering and even eating the remains of the Long Ears.

Noro alone survives, as Make allows him to live, and Noro, Ramana and their baby escape the island in a canoe Ramana's father built.

The film can be considered a condensed history of the collapse of the Easter Island civilization. Riro Frenxa Reuben Heke Hori Ahipene Overseer Chiefy Elkington Fisherman Ruihana Rewa Old Woman George Henare Tupa Rawiri Paratene Priest Pete Smith Priest Mario Gaoa Short Ears Cliff Curtis Learn more More Like This.

Spin Out. Rapa Nui: Legends in Stone. The Beast of War Adventure Drama War. Fandango Comedy Drama. Black Robe Drama History War. One Eight Seven Drama Thriller.

Stars: Samuel L. Jackson, John Heard, Kelly Rowan. Waterworld Action Adventure Sci-Fi. Proof McIntyre, Richard Burns. Risen Action Drama History.

Action Drama Romance. Robin Hood: Prince of Thieves Action Adventure Drama. Not yet released. Edit Storyline Tenuously based on the legends of Easter Island, Chile, this story details a civil war between the two tribes on the island: the Long Ears and the Short Ears.

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Rapa Nui Film Video

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  1. Ich entschuldige mich, aber meiner Meinung nach irren Sie sich. Geben Sie wir werden es besprechen. Schreiben Sie mir in PM.

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